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The Saint

The Saint

Thriller · Action · Romance · 1997

Simon Templar (The Saint), is a thief for hire, whose latest job to steal the secret process for cold fusion puts him at odds with a traitor bent on toppling the Russian government, as well as the woman who holds its secret.

Movie details

The Saint

“Never reveal your name. Never turn your back. Never surrender your heart.”

1997 Thriller · Action · Romance 1h 56m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Simon Templar (The Saint), is a thief for hire, whose latest job to steal the secret process for cold fusion puts him at odds with a traitor bent on toppling the Russian government, as well as the woman who holds its secret.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Saint?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Phillip Noyce

Written by

Jonathan Hensleigh · Wesley Strick

Val Kilmer

Val Kilmer

Simon Templar

Elisabeth Shue

Elisabeth Shue

Emma Russell

Rade Šerbedžija

Rade Šerbedžija

Ivan Tretiak

Henry Goodman

Henry Goodman

Dr. Lev Botvin

Alun Armstrong

Alun Armstrong

Inspector Teal

Michael Byrne

Michael Byrne

Vereshagin

Irina Apeksimova

Irina Apeksimova

Frankie

Court is in session

Put The Saint on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.