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High Heels and Low Lifes

High Heels and Low Lifes

Action · Crime · Comedy · 2001

Two friends are drawn into a seedy underworld of extortion and violence when they try to blackmail a gang of bank robbers.

Movie details

High Heels and Low Lifes

“They're not bad girls. They're just behaving that way.”

2001 Action · Crime · Comedy 1h 26m

Critical arithmetic

The consensus, allegedly.

IMDb

6.1 / 10

3.8K votes

Rotten Tomatoes

20 %

Tomatometer

Metacritic

39 / 100

Metascore

TMDB

6.2 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Two friends are drawn into a seedy underworld of extortion and violence when they try to blackmail a gang of bank robbers.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over High Heels and Low Lifes?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Mel Smith

Written by

Kim Fuller

Minnie Driver

Minnie Driver

Shannon

Mary McCormack

Mary McCormack

Frances

Kevin McNally

Kevin McNally

Mason

Danny Dyer

Danny Dyer

Danny

Michael Gambon

Michael Gambon

Kerrigan

Darren Boyd

Darren Boyd

Ray

Mark Williams

Mark Williams

Tremaine

Court is in session

Put High Heels and Low Lifes on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.