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Batman: The Doom That Came to Gotham

Batman: The Doom That Came to Gotham

Animation · Fantasy · Action · 2023

Explorer Bruce Wayne accidentally unleashes an ancient evil, and returns to Gotham after being away for two decades. There, Batman battles Lovecraftian supernatural forces and encounters allies and enemies such as Green Arrow, Ra's al Ghul, Mr. Freeze, Killer Croc, Two-Face and James Gordon.

Movie details

Batman: The Doom That Came to Gotham

“In a city forever in darkness, an ancient horror awakens.”

2023 Animation · Fantasy · Action 1h 26m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Explorer Bruce Wayne accidentally unleashes an ancient evil, and returns to Gotham after being away for two decades. There, Batman battles Lovecraftian supernatural forces and encounters allies and enemies such as Green Arrow, Ra's al Ghul, Mr. Freeze, Killer Croc, Two-Face and James Gordon.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Batman: The Doom That Came to Gotham?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Batman: Bad Blood

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Names above the title

The people responsible.

Directed by

Sam Liu · Christopher Berkeley

Written by

Jase Ricci

David Giuntoli

David Giuntoli

Batman / Bruce Wayne (voice)

Patrick Fabian

Patrick Fabian

Harvey Dent / Two-Face (voice)

John DiMaggio

John DiMaggio

James Gordon (voice)

Karan Brar

Karan Brar

Sanjay 'Jay' Tawde (voice)

Navid Negahban

Navid Negahban

Ra's al Ghul (voice)

Darin De Paul

Darin De Paul

Thomas Wayne (voice)

Emily O'Brien

Emily O'Brien

Talia al Ghul / Martha Wayne (voice)

Court is in session

Put Batman: The Doom That Came to Gotham on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Cool Ironist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.