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The Return

The Return

Horror · Drama · Thriller · 2006

Joanna Mills has a successful career but feels her personal life is spinning out of control. She has few friends, an estranged father, and a crazy ex-boyfriend who is stalking her. Joanna begins having terrifying visions of a woman's murder, and it seems that she is the killer's next target. Determined to solve the mystery and escape her apparent fate, Joanna follows her visions to the victim's hometown and finds that some secrets just do not stay buried.

Movie details

The Return

“The past never dies. It kills.”

2006 Horror · Drama · Thriller 1h 25m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Joanna Mills has a successful career but feels her personal life is spinning out of control. She has few friends, an estranged father, and a crazy ex-boyfriend who is stalking her. Joanna begins having terrifying visions of a woman's murder, and it seems that she is the killer's next target. Determined to solve the mystery and escape her apparent fate, Joanna follows her visions to the victim's hometown and finds that some secrets just do not stay buried.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Return?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Asif Kapadia

Written by

Adam Sussman

Sarah Michelle Gellar

Sarah Michelle Gellar

Joanna Mills

Peter O'Brien

Peter O'Brien

Terry Stahl

Adam Scott

Adam Scott

Kurt

Kate Beahan

Kate Beahan

Michelle

Sam Shepard

Sam Shepard

Ed Mills

J.C. MacKenzie

J.C. MacKenzie

Griff

Wally Welch

Wally Welch

Snack Stand Vendor

Court is in session

Put The Return on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.