The defence The Prestige Tourist
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
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Heavenly Creatures
Drama · Fantasy · 1994
Precocious teenager Juliet moves to New Zealand with her family and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. This friendship gradually develops into an intense and obsessive bond.
Movie details
Heavenly Creatures
“Not all angels are innocent.”
1994 Drama · Fantasy 1h 49m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.9 / 10
Community rating
Precocious teenager Juliet moves to New Zealand with her family and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. This friendship gradually develops into an intense and obsessive bond.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Heavenly Creatures?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Where it lives
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Streaming availability data supplied by JustWatch.
Names above the title
The people responsible.
Cast & crew
Directed by
Peter Jackson
Written by
Peter Jackson · Fran Walsh
Melanie Lynskey
Pauline Parker
Kate Winslet
Juliet Hulme
Sarah Peirse
Honorah Parker Rieper
Diana Kent
Hilda Hulme
Clive Merrison
Dr. Henry Hulme
S
Simon O'Connor
Herbert Rieper
Jed Brophy
John / Nicholas
Court is in session
Put Heavenly Creatures on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.