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She's All That

She's All That

Comedy · Romance · 1999

High school hotshot Zach Siler is the envy of his peers. But his popularity declines sharply when his cheerleader girlfriend, Taylor, leaves him for sleazy reality-television star Brock Hudson. Desperate to revive his fading reputation, Siler agrees to a seemingly impossible challenge. He has six weeks to gain the trust of nerdy outcast Laney Boggs -- and help her to become the school's next prom queen.

Movie details

She's All That

“These two opposites attract... but EVERYONE'S trying to keep them apart!”

1999 Comedy · Romance 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

High school hotshot Zach Siler is the envy of his peers. But his popularity declines sharply when his cheerleader girlfriend, Taylor, leaves him for sleazy reality-television star Brock Hudson. Desperate to revive his fading reputation, Siler agrees to a seemingly impossible challenge. He has six weeks to gain the trust of nerdy outcast Laney Boggs -- and help her to become the school's next prom queen.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over She's All That?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Date with Love

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Names above the title

The people responsible.

Directed by

Robert Iscove

Written by

R. Lee Fleming Jr.

Freddie Prinze Jr.

Freddie Prinze Jr.

Zach Siler

Rachael Leigh Cook

Rachael Leigh Cook

Laney Boggs

Paul Walker

Paul Walker

Dean Sampson

Jodi Lyn O'Keefe

Jodi Lyn O'Keefe

Taylor Vaughan

Kevin Pollak

Kevin Pollak

Wayne Boggs

Anna Paquin

Anna Paquin

Mackenzie Siler

Kieran Culkin

Kieran Culkin

Simon Boggs

Court is in session

Put She's All That on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.