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Cold Meat

Cold Meat

Thriller · Horror · 2024

David Petersen is passing through the Colorado Rockies. After saving a young diner waitress from her violent ex-husband during a break from driving, he hits the road again alone through a dangerous snow blizzard. One false move behind the wheel has him waking up inside a ravine, in the eye of the storm. But the cold is the least of his worries when a beast starts prowling outside. How will he survive?

Movie details

Cold Meat

“Outside is dangerous. Inside is deadly.”

2024 Thriller · Horror 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

David Petersen is passing through the Colorado Rockies. After saving a young diner waitress from her violent ex-husband during a break from driving, he hits the road again alone through a dangerous snow blizzard. One false move behind the wheel has him waking up inside a ravine, in the eye of the storm. But the cold is the least of his worries when a beast starts prowling outside. How will he survive?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Cold Meat?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Sébastien Drouin

Written by

Andrew Desmond · James Kermack · Sébastien Drouin

Allen Leech

Allen Leech

David

Nina Bergman

Nina Bergman

Ana

Yan Tual

Yan Tual

Vincent

James Barton-Steel

James Barton-Steel

Miller

Riley Banzer

Riley Banzer

Billy

Sydney Hendricks

Sydney Hendricks

Cassie

William Kuklis

William Kuklis

John Scheele

Court is in session

Put Cold Meat on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Sentimental Softie

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.