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Inherit the Wind

Inherit the Wind

Drama · TV Movie · 1999

Two great lawyers argue the case for and against a science teacher accused of the crime of teaching evolution.

Movie details

Inherit the Wind

“The Landmark Trial That Forever Changed A Nation.”

1999 Drama · TV Movie 1h 53m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Two great lawyers argue the case for and against a science teacher accused of the crime of teaching evolution.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Inherit the Wind?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Inherit the Wind

Inherit the Wind

Drama · 1960

Schoolteacher Bertram Cates is arrested for teaching his students Darwin's theory of evolution. The case receives national attention and one of the newspaper reporters, E.K. Hornbeck, arranges to bring in renowned defense attorney and atheist Henry Drummond to defend Cates. The prosecutor, Matthew Brady is a former presidential candidate, famous evangelist, and old adversary of Drummond.

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Names above the title

The people responsible.

Directed by

Daniel Petrie

Written by

Nedrick Young · Harold Jacob Smith

Jack Lemmon

Jack Lemmon

Henry Drummond

George C. Scott

George C. Scott

Matthew Harrison Brady

Lane Smith

Lane Smith

Reverend Jeremiah Brown

Tom Everett Scott

Tom Everett Scott

Bertram Cates

Kathryn Morris

Kathryn Morris

Rachel Brown

John Cullum

John Cullum

Judge Merle Coffey

Brad Greenquist

Brad Greenquist

Tom Davenport

Court is in session

Put Inherit the Wind on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.