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Deuce Bigalow: Male Gigolo

Deuce Bigalow: Male Gigolo

Comedy · Romance · 1999

Deuce Bigalow is a less than attractive, down on his luck aquarium cleaner. One day he wrecks the house of a gigolo and needs quick money to repair it. The only way he can make it is to become a gigolo himself, taking on an unusual mix of female clients. He encounters a couple of problems, though. He falls in love with one of his unusual clients, and a sleazy police officer is hot on his trail.

Movie details

Deuce Bigalow: Male Gigolo

“He charges $10 but he’s willing to negotiate.”

1999 Comedy · Romance 1h 28m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Deuce Bigalow is a less than attractive, down on his luck aquarium cleaner. One day he wrecks the house of a gigolo and needs quick money to repair it. The only way he can make it is to become a gigolo himself, taking on an unusual mix of female clients. He encounters a couple of problems, though. He falls in love with one of his unusual clients, and a sleazy police officer is hot on his trail.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Deuce Bigalow: Male Gigolo?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mike Mitchell

Written by

Rob Schneider · Harris Goldberg

Rob Schneider

Rob Schneider

Deuce Bigalow

William Forsythe

William Forsythe

Det. Chuck Fowler

Eddie Griffin

Eddie Griffin

Tiberius Jefferson "T.J." Hicks

Arija Bareikis

Arija Bareikis

Kate

Oded Fehr

Oded Fehr

Antoine Laconte

Gail O'Grady

Gail O'Grady

Claire

Richard Riehle

Richard Riehle

Bob Bigalow

Court is in session

Put Deuce Bigalow: Male Gigolo on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.