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Immaculate

Immaculate

Horror · Mystery · Thriller · 2024

An American nun embarks on a new journey when she joins a remote convent in the Italian countryside. However, her warm welcome quickly turns into a living nightmare when she discovers her new home harbours a sinister secret and unspeakable horrors.

Movie details

Immaculate

“Not every intervention is divine.”

2024 Horror · Mystery · Thriller 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

An American nun embarks on a new journey when she joins a remote convent in the Italian countryside. However, her warm welcome quickly turns into a living nightmare when she discovers her new home harbours a sinister secret and unspeakable horrors.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Immaculate?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Michael Mohan

Written by

Andrew Lobel

Sydney Sweeney

Sydney Sweeney

Sister Cecilia

Álvaro Morte

Álvaro Morte

Father Sal Tedeschi

Simona Tabasco

Simona Tabasco

Sister Mary

Benedetta Porcaroli

Benedetta Porcaroli

Sister Gwen

Giorgio Colangeli

Giorgio Colangeli

Cardinal Franco Merola

Dora Romano

Dora Romano

Mother Superior

Giulia Heathfield Di Renzi

Giulia Heathfield Di Renzi

Sister Isabelle

Court is in session

Put Immaculate on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.