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Autumn in New York

Autumn in New York

Drama · Romance · 2000

Will Keane, a Manhattan restaurateur, is content with his playboy lifestyle until he meets Charlotte Fielding, a free-spirited young woman. Together the pair pursue a passionate affair that forces them both to reevaluate what they want out of life, even as fate threatens to steal away their future.

Movie details

Autumn in New York

“He fell in love for the first time. She fell in love forever.”

2000 Drama · Romance 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Will Keane, a Manhattan restaurateur, is content with his playboy lifestyle until he meets Charlotte Fielding, a free-spirited young woman. Together the pair pursue a passionate affair that forces them both to reevaluate what they want out of life, even as fate threatens to steal away their future.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Autumn in New York?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Joan Chen

Written by

Allison Burnett

Richard Gere

Richard Gere

Will Keane

Winona Ryder

Winona Ryder

Charlotte Fielding

Anthony LaPaglia

Anthony LaPaglia

John Volpe

Elaine Stritch

Elaine Stritch

Dolores "Dolly" Talbot

Vera Farmiga

Vera Farmiga

Lisa Tyler

Sherry Stringfield

Sherry Stringfield

Sarah

Jill Hennessy

Jill Hennessy

Lynn

Court is in session

Put Autumn in New York on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.