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Subway

Subway

Action · Thriller · 1985

Fred, a raffish safe blower, takes refuge in the Paris Metro after being chased by the henchmen of a shady businessman from whom he has just stolen some documents. While hiding out in the back rooms and conduits of the Metro, Fred encounters a subterranean society of eccentric characters and petty criminals.

Movie details

Subway

“A seductive fable”

1985 Action · Thriller 1h 44m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Fred, a raffish safe blower, takes refuge in the Paris Metro after being chased by the henchmen of a shady businessman from whom he has just stolen some documents. While hiding out in the back rooms and conduits of the Metro, Fred encounters a subterranean society of eccentric characters and petty criminals.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Subway?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Luc Besson

Written by

Luc Besson · Alain Le Henry · Pierre Jolivet · Sophie Schmit

Isabelle Adjani

Isabelle Adjani

Helena

Christopher Lambert

Christopher Lambert

Fred

Richard Bohringer

Richard Bohringer

Le Fleuriste

Michel Galabru

Michel Galabru

Le Commissaire Gesberg

Jean-Hugues Anglade

Jean-Hugues Anglade

Le Roller

Jean-Pierre Bacri

Jean-Pierre Bacri

Batman

Jean Bouise

Jean Bouise

Le Chef de Station

Court is in session

Put Subway on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.