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Mrs. Henderson Presents

Mrs. Henderson Presents

Comedy · Drama · 2005

Recently widowed well-to-do Laura Henderson purchases the Windmill Theatre in London as a post-widowhood hobby. After starting an innovative continuous variety review, which is copied by other theaters, they begin to lose money. Mrs Henderson suggests they add risqué burlesque acts similar to the Moulin Rouge in Paris.

Movie details

Mrs. Henderson Presents

“The show must go on, but the clothes must come off.”

2005 Comedy · Drama 1h 43m

Critical arithmetic

The consensus, allegedly.

IMDb

7.0 / 10

17K votes

Rotten Tomatoes

68 %

Tomatometer

Metacritic

71 / 100

Metascore

TMDB

6.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Recently widowed well-to-do Laura Henderson purchases the Windmill Theatre in London as a post-widowhood hobby. After starting an innovative continuous variety review, which is copied by other theaters, they begin to lose money. Mrs Henderson suggests they add risqué burlesque acts similar to the Moulin Rouge in Paris.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mrs. Henderson Presents?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Stephen Frears

Written by

Martin Sherman

Judi Dench

Judi Dench

Mrs. Laura Henderson

Bob Hoskins

Bob Hoskins

Vivian Van Damm

Will Young

Will Young

Bertie

Christopher Guest

Christopher Guest

Lord Cromer

Kelly Reilly

Kelly Reilly

Maureen

Thelma Barlow

Thelma Barlow

Lady Conway

Anna Brewster

Anna Brewster

Doris

Court is in session

Put Mrs. Henderson Presents on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.