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The Invisible Man

The Invisible Man

Horror · Science Fiction · 1933

After experimenting on himself and becoming invisible, scientist Jack Griffin, now aggressive due to the drug's effects, seeks a way to reverse the experiment at any cost.

Movie details

The Invisible Man

“H.G. Wells’ fantastic, out-of-this-world show!”

1933 Horror · Science Fiction 1h 11m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

After experimenting on himself and becoming invisible, scientist Jack Griffin, now aggressive due to the drug's effects, seeks a way to reverse the experiment at any cost.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Invisible Man?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

The Haunting

The Haunting

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Invasion of the Body Snatchers

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A small-town doctor learns that the population of his community is being replaced by emotionless alien duplicates.

Soylent Green

Soylent Green

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In the year 2022, overcrowding, pollution, and resource depletion have reduced society’s leaders to finding food for the teeming masses. The answer is Soylent Green.

The Invisible Man Returns

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Horror · 1940

The owner of a coal mining operation, falsely imprisoned for fratricide, takes a drug to make him invisible, despite its side effect: gradual madness.

The Return of Doctor X

The Return of Doctor X

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When news reporter Walter Garrett arrives at the hotel room of bombshell actress Angela Merrova to conduct an interview, he finds her dead from multiple stab wounds. He returns with the police to find the hotel empty and the body vanished. Garrett writes about the incident but is fired when Merrova, alive and well, goes to the paper to complain. Now his only chance to get his job back is to find the truth, which involves the grisly scheme of a madman.

The End of Oak Street

The End of Oak Street

Sci-fi · 2026

After a mysterious cosmic event rips Oak Street from suburbia and transports their neighborhood to someplace unknown, the Platt family soon discovers that their very survival depends on them sticking together as they navigate their now unrecognizable surroundings.

Twisted Nerve

Twisted Nerve

Thriller · 1968

Martin Durnley is a young man with an infantilizing mother, resentful stepfather and an institutionalized brother with Down's syndrome. To cope, he retreats into an alternate child personality he calls Georgie. After being caught during a theft attempt at a department store, he befriends a female customer who is sympathetic to him, but his friendship soon turns into obsession.

The Satan Bug

The Satan Bug

Sci-fi · 1965

A US government germ warfare lab has had an accident. The first theory is that one of the germs has been released and killed several scientists. The big fear is that a more virulent strain, named The Satan Bug because all life can be killed off by it should it escape, may have been stolen.

Twice-Told Tales

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Horror · 1963

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Willard

Willard

Horror · 1971

A social misfit, Willard is made fun of by his co-workers, and squeezed out of the company started by his deceased father by his boss. His only friends are a couple of rats he raised at home, Ben and Socrates. However, when one of them is killed at work, he goes on a rampage using his rats to attack those who have been tormenting him.

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Names above the title

The people responsible.

Directed by

James Whale

Written by

R.C. Sherriff

Claude Rains

Claude Rains

Dr. Jack Griffin

Gloria Stuart

Gloria Stuart

Flora Cranley

William Harrigan

William Harrigan

Dr. Arthur Kemp

Henry Travers

Henry Travers

Dr. Cranley

Una O'Connor

Una O'Connor

Jenny Hall

Forrester Harvey

Forrester Harvey

Herbert Hall

Holmes Herbert

Holmes Herbert

Chief of Police

Court is in session

Put The Invisible Man on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.