“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Dagon
Fantasy · Horror · Thriller · 2001
A boating accident off the coast of Spain sends Paul and his girlfriend Barbara to the decrepit fishing village of Imboca. As night falls, people start to disappear and things not quite human start to appear. Paul is pursued by the entire town. Running for his life, he uncovers Imboca's secret..they worship Dagon, a monstrous god of the sea...and Dagon's unholy offspring are on the loose...
Dagon
“A cursed people... an ancient cult... a nightmare come true.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.1 / 10
Community rating
A boating accident off the coast of Spain sends Paul and his girlfriend Barbara to the decrepit fishing village of Imboca. As night falls, people start to disappear and things not quite human start to appear. Paul is pursued by the entire town. Running for his life, he uncovers Imboca's secret..they worship Dagon, a monstrous god of the sea...and Dagon's unholy offspring are on the loose...
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Dagon?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Stuart Gordon
Written by
Dennis Paoli
Put Dagon on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






