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The Astronaut

The Astronaut

Horror · Science Fiction · Thriller · 2025

After returning from her first space mission, astronaut Sam Walker is placed under NASA’s care at a high security house for rehabilitation and medical testing. However, when disturbing occurrences begin happening around the property, she fears that something extraterrestrial has followed her back to Earth.

Movie details

The Astronaut

“She didn't come back to Earth alone.”

2025 Horror · Science Fiction · Thriller 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

After returning from her first space mission, astronaut Sam Walker is placed under NASA’s care at a high security house for rehabilitation and medical testing. However, when disturbing occurrences begin happening around the property, she fears that something extraterrestrial has followed her back to Earth.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Astronaut?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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After a mysterious cosmic event rips Oak Street from suburbia and transports their neighborhood to someplace unknown, the Platt family soon discovers that their very survival depends on them sticking together as they navigate their now unrecognizable surroundings.

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Names above the title

The people responsible.

Directed by

Jess Varley

Written by

Jess Varley

Kate Mara

Kate Mara

Sam Walker

Laurence Fishburne

Laurence Fishburne

General William Harris

Gabriel Luna

Gabriel Luna

Mark

Ivana Miličević

Ivana Miličević

Dr. Michelle Aiden

Scarlett Holmes

Scarlett Holmes

Izzy

Macy Gray

Macy Gray

Val

Reza Diako

Reza Diako

Ethan Marshall

Court is in session

Put The Astronaut on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.