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Exit Wounds

Exit Wounds

Action · Crime · Thriller · 2001

Maverick cop Orin Boyd always brings down the domestic terrorists he tracks, but he ruffles feathers with his unorthodox techniques -- and soon finds himself reassigned to the toughest district in Detroit. When he discovers a group of detectives secretly operating a drug ring, Boyd joins forces with an unlikely ally -- gangster Latrell Walker -- to bring down the rotten cops.

Movie details

Exit Wounds

“This is gonna hurt”

2001 Action · Crime · Thriller 1h 41m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Maverick cop Orin Boyd always brings down the domestic terrorists he tracks, but he ruffles feathers with his unorthodox techniques -- and soon finds himself reassigned to the toughest district in Detroit. When he discovers a group of detectives secretly operating a drug ring, Boyd joins forces with an unlikely ally -- gangster Latrell Walker -- to bring down the rotten cops.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Exit Wounds?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Andrzej Bartkowiak

Written by

Richard D'Ovidio · Ed Horowitz

Steven Seagal

Steven Seagal

Orin Boyd

DMX

DMX

Latrell Walker

Isaiah Washington

Isaiah Washington

George Clark

Anthony Anderson

Anthony Anderson

T.K. Johnson

Bill Duke

Bill Duke

Chief Hinges

Michael Jai White

Michael Jai White

Lewis Strutt

Jill Hennessy

Jill Hennessy

Annette Mulcahy

Court is in session

Put Exit Wounds on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.