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The Return of the Living Dead

The Return of the Living Dead

Comedy · Horror · Science Fiction · 1985

Two employees at a medical supply warehouse accidentally release a toxic gas from a misplaced top-secret U.S. Army shipment, causing the dead to rise from a nearby cemetery with an insatiable hunger for human brains.

Movie details

The Return of the Living Dead

“They're back from the grave and ready to party!”

1985 Comedy · Horror · Science Fiction 1h 31m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

Two employees at a medical supply warehouse accidentally release a toxic gas from a misplaced top-secret U.S. Army shipment, causing the dead to rise from a nearby cemetery with an insatiable hunger for human brains.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Return of the Living Dead?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Dawn of the Dead

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A group of survivors take refuge in a shopping mall after the world is taken over by aggressive, flesh-eating zombies.

Night of the Creeps

Night of the Creeps

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An American Werewolf in London

An American Werewolf in London

Comedy · 1981

American tourists David and Jack are savagely attacked by an unidentified animal while hiking on the Yorkshire Moors. After retiring to the home of a beautiful nurse to recuperate, David soon begins experiencing disturbing changes to his body and mind.

Dawn of the Dead

Dawn of the Dead

Horror · 1978

During an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia SWAT team members, a traffic reporter, and his television-executive girlfriend seek refuge in a secluded shopping mall.

Burke & Hare

Burke & Hare

Comedy · 2010

Two 19th-century opportunists become serial killers so that they can maintain their profitable business supplying cadavers to an anatomist.

Slither

Slither

Horror · 2006

A small town is taken over by an alien plague, turning residents into zombies and all forms of mutant monsters.

The Void

The Void

Mystery · 2016

In the middle of a routine patrol, officer Daniel Carter happens upon a blood-soaked figure limping down a deserted stretch of road. He rushes the young man to a nearby rural hospital staffed by a skeleton crew, only to discover that patients and personnel are transforming into something inhuman. As the horror intensifies, Carter leads the other survivors on a hellish voyage into the subterranean depths of the hospital in a desperate bid to end the nightmare before it's too late.

Die Alone

Die Alone

Horror · 2024

Lost in a world reclaimed by nature and overrun by mysterious creatures, Ethan, a young man with amnesia navigates the dangerous landscape in search of his lost love Emma. His journey takes an unexpected turn when he encounters Mae, a hardened and eccentric survivor. Together, Ethan and Mae face threats both human and otherwise before a fateful encounter with Kai unravels a secret that lies just beyond Ethan's fractured memory.

Frankenhooker

Frankenhooker

Comedy · 1990

A medical school dropout loses his fiancée in a tragic lawnmower incident and decides to bring her back to life. Unfortunately, he was only able to save her head, so he goes to the red light district in the city and lures prostitutes into a hotel room so he can collect body parts to reassemble her.

Where it lives

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Names above the title

The people responsible.

Directed by

Dan O'Bannon

Written by

Dan O'Bannon · Rudy Ricci · John A. Russo · Russell Streiner

Clu Gulager

Clu Gulager

Burt

James Karen

James Karen

Frank

Don Calfa

Don Calfa

Ernie

Thom Mathews

Thom Mathews

Freddy

Miguel A. Núñez Jr.

Miguel A. Núñez Jr.

Spider

Brian Peck

Brian Peck

Scuz

John Philbin

John Philbin

Chuck

Court is in session

Put The Return of the Living Dead on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.