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Creature from the Black Lagoon

Creature from the Black Lagoon

Adventure · Horror · Science Fiction · 1954

When scientists exploring the Amazon River stumble on a “missing link” connecting humans and fish, they plan to capture it for later study. But the Creature has plans of his own, and has set his sights on the lead scientist's beautiful fiancée, Kay.

Movie details

Creature from the Black Lagoon

“From the Amazon's forbidden depths came the Creature from the Black Lagoon.”

1954 Adventure · Horror · Science Fiction 1h 19m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

When scientists exploring the Amazon River stumble on a “missing link” connecting humans and fish, they plan to capture it for later study. But the Creature has plans of his own, and has set his sights on the lead scientist's beautiful fiancée, Kay.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Creature from the Black Lagoon?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jack Arnold

Written by

Harry Essex · Arthur A. Ross · Maurice Zimm

Richard Carlson

Richard Carlson

Dr. David Reed

Julie Adams

Julie Adams

Kay Lawrence

Richard Denning

Richard Denning

Dr. Mark Williams

Antonio Moreno

Antonio Moreno

Dr. Carl Maia

Nestor Paiva

Nestor Paiva

Captain Lucas

Whit Bissell

Whit Bissell

Dr. Edwin Thompson

Bernie Gozier

Bernie Gozier

Zee

Court is in session

Put Creature from the Black Lagoon on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.