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Saturday Night Fever

Saturday Night Fever

Drama · 1977

Tony spends his Saturdays at a disco where his stylish moves raise his popularity among the patrons. But his life outside the disco is not easy and things change when he gets attracted to Stephanie.

Movie details

Saturday Night Fever

“Where do you go when the record is over...”

1977 Drama 1h 58m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Tony spends his Saturdays at a disco where his stylish moves raise his popularity among the patrons. But his life outside the disco is not easy and things change when he gets attracted to Stephanie.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Saturday Night Fever?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Young teen girl Xiu Xiu is sent away to a remote corner of the Sichuan steppes for manual labor in 1975 (sending young people to there was a part of Cultural Revolution in China). A year later, she agrees to go to even more remote spot with a Tibetan saddle tramp Lao Jin to learn horse herding.

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Where it lives

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Names above the title

The people responsible.

Directed by

John Badham

Written by

Norman Wexler · Nik Cohn

John Travolta

John Travolta

Tony Manero

Karen Lynn Gorney

Karen Lynn Gorney

Stephanie

Barry Miller

Barry Miller

Bobby C.

Joseph Cali

Joseph Cali

Joey

Paul Pape

Paul Pape

Double J.

Donna Pescow

Donna Pescow

Annette

Bruce Ornstein

Bruce Ornstein

Gus

Court is in session

Put Saturday Night Fever on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.