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The Princess Diaries 2: Royal Engagement

The Princess Diaries 2: Royal Engagement

Comedy · Drama · Family · 2004

Mia Thermopolis is now a college graduate and on her way to Genovia to take up her duties as princess. Accompanied by her friend Lilly, Mia continues her 'princess lessons', like riding horses side-saddle and archery. But her already complicated life is turned upside down once again when she learns that she is to take the crown as queen earlier than expected, all while she meets a mysteriously charming young man.

Movie details

The Princess Diaries 2: Royal Engagement

“It can take a lifetime to find true love; she's got 30 days!”

2004 Comedy · Drama · Family 1h 53m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Mia Thermopolis is now a college graduate and on her way to Genovia to take up her duties as princess. Accompanied by her friend Lilly, Mia continues her 'princess lessons', like riding horses side-saddle and archery. But her already complicated life is turned upside down once again when she learns that she is to take the crown as queen earlier than expected, all while she meets a mysteriously charming young man.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Princess Diaries 2: Royal Engagement?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Names above the title

The people responsible.

Directed by

Garry Marshall

Written by

Shonda Rhimes · Gina Wendkos

Anne Hathaway

Anne Hathaway

Mia Thermopolis

Julie Andrews

Julie Andrews

Queen Clarisse Renaldi

Héctor Elizondo

Héctor Elizondo

Joe

John Rhys-Davies

John Rhys-Davies

Viscount Mabrey

Heather Matarazzo

Heather Matarazzo

Lilly Moscovitz

Chris Pine

Chris Pine

Nicholas Devereaux

Callum Blue

Callum Blue

Andrew Jacoby

Court is in session

Put The Princess Diaries 2: Royal Engagement on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.