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My First Time

My First Time

Drama · Romance · 2012

Zachary is 20 years old. Dark and independent, he collects amorous conquests and school failure. Sarah is 18 years old. First class, fragile, she fills her emotional gaps with perfect control of his life. Nothing should close and yet, the year of the tank, for six months, they will live a love against which nothing can be, the true, the big one that marks a life forever.

Movie details

My First Time

2012 Drama · Romance 1h 35m

Critical arithmetic

The consensus, allegedly.

IMDb

5.9 / 10

1.4K votes

TMDB

6.6 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Zachary is 20 years old. Dark and independent, he collects amorous conquests and school failure. Sarah is 18 years old. First class, fragile, she fills her emotional gaps with perfect control of his life. Nothing should close and yet, the year of the tank, for six months, they will live a love against which nothing can be, the true, the big one that marks a life forever.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over My First Time?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Marie-Castille Mention-Schaar

Written by

Marie-Castille Mention-Schaar

Esther Comar

Esther Comar

Sarah

Martin Cannavo

Martin Cannavo

Zachary

Vincent Perez

Vincent Perez

Richard

Judith El Zein

Judith El Zein

Jacqueline

Lilly-Fleur Pointeaux

Lilly-Fleur Pointeaux

Pauline

Lolita Chammah

Lolita Chammah

Juliette

Anne Loiret

Anne Loiret

Marie Paule

Court is in session

Put My First Time on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.