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Roxanne

Roxanne

Comedy · Romance · 1987

In this modern take on Edmond Rostand's classic play "Cyrano de Bergerac," C. D. Bales is the witty, intelligent, and brave fire chief of a small Pacific Northwest town who, due to the size of his enormous nose, declines to pursue the girl of his dreams, lovely Roxanne Kowalski. Instead, when his shy underling Chris McConnell becomes smitten with Roxanne, C.D. feeds the handsome young man the words of love to win her heart.

Movie details

Roxanne

“Roxanne dreamed of a handsome, intelligent, romantic man. C.D. Bales is two out of three—but looks aren't everything.”

1987 Comedy · Romance 1h 47m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

In this modern take on Edmond Rostand's classic play "Cyrano de Bergerac," C. D. Bales is the witty, intelligent, and brave fire chief of a small Pacific Northwest town who, due to the size of his enormous nose, declines to pursue the girl of his dreams, lovely Roxanne Kowalski. Instead, when his shy underling Chris McConnell becomes smitten with Roxanne, C.D. feeds the handsome young man the words of love to win her heart.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Roxanne?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Fred Schepisi

Written by

Steve Martin

Steve Martin

Steve Martin

C.D. "Charlie" Bales

Daryl Hannah

Daryl Hannah

Roxanne Kowalski

Rick Rossovich

Rick Rossovich

Chris McConnell

Shelley Duvall

Shelley Duvall

Dixie

John Kapelos

John Kapelos

Chuck

Fred Willard

Fred Willard

Mayor Deebs

Max Alexander

Max Alexander

Dean

Court is in session

Put Roxanne on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.