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The Return of the Pink Panther

The Return of the Pink Panther

Comedy · Crime · Mystery · 1975

The famous Pink Panther jewel has once again been stolen and Inspector Clouseau is called in to catch the thief. The Inspector is convinced that 'The Phantom' has returned and utilises all of his resources – himself and his Asian manservant – to reveal the identity of 'The Phantom'.

Movie details

The Return of the Pink Panther

1975 Comedy · Crime · Mystery 1h 53m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

The famous Pink Panther jewel has once again been stolen and Inspector Clouseau is called in to catch the thief. The Inspector is convinced that 'The Phantom' has returned and utilises all of his resources – himself and his Asian manservant – to reveal the identity of 'The Phantom'.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Return of the Pink Panther?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Terror by Night

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The Pink Panther Strikes Again

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Names above the title

The people responsible.

Directed by

Blake Edwards

Written by

Blake Edwards · Frank Waldman

Peter Sellers

Peter Sellers

Inspector Clouseau

Christopher Plummer

Christopher Plummer

Sir Charles Litton

Catherine Schell

Catherine Schell

Claudine

Herbert Lom

Herbert Lom

Chief Inspector Dreyfus

Peter Arne

Peter Arne

Colonel Sharki

Peter Jeffrey

Peter Jeffrey

General Wadafi

Grégoire Aslan

Grégoire Aslan

Chief of Lugash Police

Court is in session

Put The Return of the Pink Panther on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.