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F Marry Kill

F Marry Kill

Comedy · Thriller · Horror · 2025

When true-crime junkie Eva Vaugh is shoved into the dating app world by her besties on her 30th birthday, she suddenly finds herself at the center of a real-life murder case. As new details about the murders are revealed on her favorite podcast, she realizes that one of the three men she’s dating could be the infamous "Swipe Right Killer" terrorizing the city.

Movie details

F Marry Kill

“A dating movie with a killer twist.”

2025 Comedy · Thriller · Horror 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

When true-crime junkie Eva Vaugh is shoved into the dating app world by her besties on her 30th birthday, she suddenly finds herself at the center of a real-life murder case. As new details about the murders are revealed on her favorite podcast, she realizes that one of the three men she’s dating could be the infamous "Swipe Right Killer" terrorizing the city.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over F Marry Kill?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Laura Murphy

Written by

Ivan Diaz · Meghan Brown

Lucy Hale

Lucy Hale

Eva Vaugh

Jedidiah Goodacre

Jedidiah Goodacre

Kyle

Virginia Gardner

Virginia Gardner

Kelly

RJ Fetherstonhaugh

RJ Fetherstonhaugh

Jake

Brooke Nevin

Brooke Nevin

Valerie

Brendan Morgan

Brendan Morgan

Mitch

Samer Salem

Samer Salem

Norman

Court is in session

Put F Marry Kill on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.