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Village of the Damned

Village of the Damned

Thriller · Horror · Science Fiction · 1995

An American village is visited by some unknown life form which leaves the women of the village pregnant. Nine months later, the babies are born, and they all look normal, but it doesn't take the "parents" long to realize that the kids are not human or humane.

Movie details

Village of the Damned

“Beware the children.”

1995 Thriller · Horror · Science Fiction 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

An American village is visited by some unknown life form which leaves the women of the village pregnant. Nine months later, the babies are born, and they all look normal, but it doesn't take the "parents" long to realize that the kids are not human or humane.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Village of the Damned?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Carpenter

Written by

David Himmelstein

Christopher Reeve

Christopher Reeve

Alan Chaffee

Kirstie Alley

Kirstie Alley

Susan Verner

Linda Kozlowski

Linda Kozlowski

Jill McGowan

Michael Paré

Michael Paré

Frank McGowan

Meredith Salenger

Meredith Salenger

Melanie Roberts

Mark Hamill

Mark Hamill

Reverend George

Pippa Pearthree

Pippa Pearthree

Sarah

Court is in session

Put Village of the Damned on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.