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On Falling

On Falling

Drama · 2025

Aurora, a Portuguese migrant, works as an order picker in a warehouse in Edinburgh, Scotland. Caught between the walls of a huge distribution centre and the solitude of her own room, Aurora tries to seize every opportunity to resist the alienation and isolation that threaten her identity.

Movie details

On Falling

2025 Drama 1h 41m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Aurora, a Portuguese migrant, works as an order picker in a warehouse in Edinburgh, Scotland. Caught between the walls of a huge distribution centre and the solitude of her own room, Aurora tries to seize every opportunity to resist the alienation and isolation that threaten her identity.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over On Falling?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.

Where it lives

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Names above the title

The people responsible.

Directed by

Laura Carreira

Written by

Laura Carreira

Joana Santos

Joana Santos

Aurora

Inês Vaz

Inês Vaz

Vera

O

Olga Prokopenko

Agata

B

Billy Reid

Ian

Neil Leiper

Neil Leiper

Ben

D

Damilare Akinrinmade

Dami

O

Ononso Nwafor-Orizu

Nonso

Court is in session

Put On Falling on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.