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Gozu

Gozu

Horror · Comedy · Crime · 2003

Minami mistakenly kills a gangster associate of his named Brother. Almost as soon as the murder takes place, the body of the deceased man is gone, prompting Minami to conduct a search. While looking, he finds a mysterious isolated hotel where he decides to take a rest. Not only are the front desk clerks a bit strange, but even the ambiance feels unusual. Minami soon realizes he may have gotten more than he bargained for.

Movie details

Gozu

2003 Horror · Comedy · Crime 2h 10m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Minami mistakenly kills a gangster associate of his named Brother. Almost as soon as the murder takes place, the body of the deceased man is gone, prompting Minami to conduct a search. While looking, he finds a mysterious isolated hotel where he decides to take a rest. Not only are the front desk clerks a bit strange, but even the ambiance feels unusual. Minami soon realizes he may have gotten more than he bargained for.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Gozu?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Brother

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Names above the title

The people responsible.

Directed by

Takashi Miike

Written by

Sakichi Sato

Show Aikawa

Show Aikawa

Ozaki

Yūta Sone

Yūta Sone

Minami

Kimika Yoshino

Kimika Yoshino

Female Ozaki

Shōhei Hino

Shōhei Hino

Nose

Keiko Tomita

Keiko Tomita

Innkeeper

Harumi Sone

Harumi Sone

Innkeeper's Brother

Renji Ishibashi

Renji Ishibashi

Boss

Court is in session

Put Gozu on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.