Back to trending
Godzilla vs. Destoroyah

Godzilla vs. Destoroyah

Action · Science Fiction · Horror · 1995

A burning Godzilla, on the verge of meltdown, emerges to lay siege to Hong Kong. At the same time horrifying new organisms are discovered in Japan. These crustacean-like beings are seemingly born of the Oxygen Destroyer, the weapon that killed the original Godzilla.

Movie details

Godzilla vs. Destoroyah

“Godzilla dies”

1995 Action · Science Fiction · Horror 1h 43m

Critical arithmetic

One number, for now.

TMDB

7.8 / 10

Community rating

A burning Godzilla, on the verge of meltdown, emerges to lay siege to Hong Kong. At the same time horrifying new organisms are discovered in Japan. These crustacean-like beings are seemingly born of the Oxygen Destroyer, the weapon that killed the original Godzilla.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Godzilla vs. Destoroyah?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Takao Okawara

Written by

Kazuki Ōmori

Takuro Tatsumi

Takuro Tatsumi

Dr. Kensaku Ijuin

Yoko Ishino

Yoko Ishino

Yukari Yamane

Yasufumi Hayashi

Yasufumi Hayashi

Kenichi Yamane

Megumi Odaka

Megumi Odaka

Miki Saegusa

Sayaka Osawa

Sayaka Osawa

Meru Ozawa

Saburo Shinoda

Saburo Shinoda

Professor Fukazawa

Akira Nakao

Akira Nakao

Commander Takaki Aso

Court is in session

Put Godzilla vs. Destoroyah on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.