“It owes the canon nothing.”
The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

A Very Brady Sequel
Family · Comedy · 1996
A man claiming to be Carol Brady's long-lost first husband, Roy Martin, shows up at the suburban Brady residence one evening. An impostor, the man is actually determined to steal the Bradys' familiar horse statue, a $20-million ancient Asian artifact.
A Very Brady Sequel
“The more everything changes the more they stay the same.”
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
5.9 / 10
12.1K votes
Rotten Tomatoes
58 %
Tomatometer
Metacritic
56 / 100
Metascore
TMDB
5.8 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
A man claiming to be Carol Brady's long-lost first husband, Roy Martin, shows up at the suburban Brady residence one evening. An impostor, the man is actually determined to steal the Bradys' familiar horse statue, a $20-million ancient Asian artifact.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over A Very Brady Sequel?
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their caseThe Big-Idea Head
“You watch with your brain, not your gut.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Arlene Sanford
Written by
James Berg · Deborah Kaplan · Harry Elfont · Stan Zimmerman
Put A Very Brady Sequel on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Easy pleasure, short half-life.”
It moves efficiently through the moment but offers little reason to keep arguing once the credits end.






