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The Devil Wears Prada 2

The Devil Wears Prada 2

Comedy · Drama · 2026

Andy Sachs returns to Runway as Miranda Priestly navigates a new media landscape and Runway's position within. The duo reconnect with former assistant Emily Charlton, now the head of a luxury brand that possesses funding which could ensure Runway's survival.

Movie details

The Devil Wears Prada 2

“Icons reign forever.”

2026 Comedy · Drama 1h 59m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Andy Sachs returns to Runway as Miranda Priestly navigates a new media landscape and Runway's position within. The duo reconnect with former assistant Emily Charlton, now the head of a luxury brand that possesses funding which could ensure Runway's survival.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Devil Wears Prada 2?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Devil Wears Prada

The Devil Wears Prada

Drama · 2006

A young woman from the Midwest gets more than she bargained for when she moves to New York to become a writer and ends up as the assistant to the tyrannical, larger-than-life editor-in-chief of a major fashion magazine.

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Where it lives

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Names above the title

The people responsible.

Directed by

David Frankel

Written by

Aline Brosh McKenna

Anne Hathaway

Anne Hathaway

Andy

Meryl Streep

Meryl Streep

Miranda

Emily Blunt

Emily Blunt

Emily

Stanley Tucci

Stanley Tucci

Nigel

Kenneth Branagh

Kenneth Branagh

Stuart

Justin Theroux

Justin Theroux

Benji

Lucy Liu

Lucy Liu

Sasha

Court is in session

Put The Devil Wears Prada 2 on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.