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Dead Space: Downfall

Dead Space: Downfall

Animation · Horror · Science Fiction · 2008

On a deep space mining mission to a remote planet, an ancient religious relic - thought to be proof of the existence of God - is unearthed and brought aboard. When the unholy artifact unleashes a long-dormant alien race, its glimpse of Heaven transforms the ship into a living Hell. A prequel to the events of the 2008 video game Dead Space.

Movie details

Dead Space: Downfall

“Meet Your Maker.”

2008 Animation · Horror · Science Fiction 1h 14m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

On a deep space mining mission to a remote planet, an ancient religious relic - thought to be proof of the existence of God - is unearthed and brought aboard. When the unholy artifact unleashes a long-dormant alien race, its glimpse of Heaven transforms the ship into a living Hell. A prequel to the events of the 2008 video game Dead Space.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dead Space: Downfall?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Chuck Patton

Written by

Justin Gray · Jimmy Palmiotti

Bruce Boxleitner

Bruce Boxleitner

Colin Barrow (voice)

Grey DeLisle

Grey DeLisle

Heather / Donna Fawkes (voice)

Jeff Bennett

Jeff Bennett

Leggio / Dobbs / Jackson (voice)

Jim Cummings

Jim Cummings

Captain Mathius / Farum (voice)

Lia Sargent

Lia Sargent

Jen Barrow (voice)

Nika Futterman

Nika Futterman

Alissa Vincent (voice)

Maurice LaMarche

Maurice LaMarche

White / Bavaro (voice)

Court is in session

Put Dead Space: Downfall on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.