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The Man from Earth

The Man from Earth

Science Fiction · Drama · 2007

A departing professor gathers his closest colleagues for an intimate farewell, but the night takes an unexpected turn when he shares a stunning secret about his past. As the conversation unfolds, skepticism and curiosity collide, challenging everything they thought they knew about history, science, and belief.

Movie details

The Man from Earth

“From one of the acclaimed writers of Star Trek and The Twilight Zone comes a story that transcends both time and space...”

2007 Science Fiction · Drama 1h 27m

Critical arithmetic

One number, for now.

TMDB

7.6 / 10

Community rating

A departing professor gathers his closest colleagues for an intimate farewell, but the night takes an unexpected turn when he shares a stunning secret about his past. As the conversation unfolds, skepticism and curiosity collide, challenging everything they thought they knew about history, science, and belief.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Man from Earth?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Richard Schenkman

Written by

Jerome Bixby

David Lee Smith

David Lee Smith

John Oldman

Tony Todd

Tony Todd

Dan

John Billingsley

John Billingsley

Harry

Ellen Crawford

Ellen Crawford

Edith

Annika Peterson

Annika Peterson

Sandy

Alexis Thorpe

Alexis Thorpe

Linda Murphy

William Katt

William Katt

Art

Court is in session

Put The Man from Earth on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.