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Bury My Heart at Wounded Knee

Bury My Heart at Wounded Knee

Western · Drama · History · 2007

Beginning just after the bloody Sioux victory over General Custer at Little Big Horn, the story is told through two unique perspectives: Charles Eastman, a young, white-educated Sioux doctor held up as living proof of the alleged success of assimilation, and Sitting Bull the proud Lakota chief whose tribe won the American Indians’ last major victory at Little Big Horn.

Movie details

Bury My Heart at Wounded Knee

“The Epic Fall of the American Indian”

2007 Western · Drama · History 2h 5m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Beginning just after the bloody Sioux victory over General Custer at Little Big Horn, the story is told through two unique perspectives: Charles Eastman, a young, white-educated Sioux doctor held up as living proof of the alleged success of assimilation, and Sitting Bull the proud Lakota chief whose tribe won the American Indians’ last major victory at Little Big Horn.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bury My Heart at Wounded Knee?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Yves Simoneau

Written by

Dee Brown · Daniel Giat

Anna Paquin

Anna Paquin

Elaine Goodale

C

Chevez Ezaneh

Ohiyesa / Young Charles

August Schellenberg

August Schellenberg

Sitting Bull

Duane Howard

Duane Howard

Uncle

Aidan Quinn

Aidan Quinn

Henry Dawes

Colm Feore

Colm Feore

General Sherman

Fred Thompson

Fred Thompson

President Ulysses S. Grant

Court is in session

Put Bury My Heart at Wounded Knee on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.