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Shattered Glass

Shattered Glass

Drama · History · 2003

Stephen Glass is a staff writer for the respected current events and policy magazine The New Republic and a freelance feature writer for publications such as Rolling Stone, Harper's and George. By the mid-90s, Glass' articles had turned him into one of the most sought-after young journalists in Washington, but a bizarre chain of events - chronicled in Buzz Bissinger's September 1998 Vanity Fair article - suddenly stopped his career in its tracks.

Movie details

Shattered Glass

“He'd do anything to get a great story.”

2003 Drama · History 1h 34m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Stephen Glass is a staff writer for the respected current events and policy magazine The New Republic and a freelance feature writer for publications such as Rolling Stone, Harper's and George. By the mid-90s, Glass' articles had turned him into one of the most sought-after young journalists in Washington, but a bizarre chain of events - chronicled in Buzz Bissinger's September 1998 Vanity Fair article - suddenly stopped his career in its tracks.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Shattered Glass?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Billy Ray

Written by

Billy Ray

Hayden Christensen

Hayden Christensen

Stephen Glass

Peter Sarsgaard

Peter Sarsgaard

Charles 'Chuck' Lane

Chloë Sevigny

Chloë Sevigny

Caitlin Avey

Rosario Dawson

Rosario Dawson

Andy Fox

Melanie Lynskey

Melanie Lynskey

Amy Brand

Hank Azaria

Hank Azaria

Michael Kelly

Steve Zahn

Steve Zahn

Adam Penenberg

Court is in session

Put Shattered Glass on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.