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Airheads

Airheads

Comedy · Crime · Music · 1994

The Lone Rangers have heavy-metal dreams and a single demo tape they can't get anyone to play. The solution: Hijack an FM rock radio station and hold the deejays hostage until they agree to broadcast the band's tape.

Movie details

Airheads

“The amps are on but nobody's home.”

1994 Comedy · Crime · Music 1h 32m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

The Lone Rangers have heavy-metal dreams and a single demo tape they can't get anyone to play. The solution: Hijack an FM rock radio station and hold the deejays hostage until they agree to broadcast the band's tape.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Airheads?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Michael Lehmann

Written by

Rich Wilkes

Brendan Fraser

Brendan Fraser

Chester 'Chazz' Darvey

Steve Buscemi

Steve Buscemi

Rex

Adam Sandler

Adam Sandler

Pip

Joe Mantegna

Joe Mantegna

Ian

Chris Farley

Chris Farley

Officer Wilson

Judd Nelson

Judd Nelson

Jimmie Wing

Amy Locane

Amy Locane

Kayla

Court is in session

Put Airheads on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Big-Idea Head

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.