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Last Vegas

Last Vegas

Comedy · 2013

Aging pals Billy, Paddy, Archie, and Sam have been best friends since childhood. When Billy finally proposes to his much-younger girlfriend, all four friends go to Las Vegas to celebrate the end of Billy's longtime bachelorhood and relive their glory days. However, the four quickly realize that the intervening decades have changed Sin City and tested their friendship in ways they had not imagined.

Movie details

Last Vegas

“It's going to be legendary”

2013 Comedy 1h 45m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Aging pals Billy, Paddy, Archie, and Sam have been best friends since childhood. When Billy finally proposes to his much-younger girlfriend, all four friends go to Las Vegas to celebrate the end of Billy's longtime bachelorhood and relive their glory days. However, the four quickly realize that the intervening decades have changed Sin City and tested their friendship in ways they had not imagined.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Last Vegas?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Jon Turteltaub

Written by

Dan Fogelman

Robert De Niro

Robert De Niro

Patrick 'Paddy' Connors

Morgan Freeman

Morgan Freeman

Archibald 'Archie' Clayton

Michael Douglas

Michael Douglas

Billy Gerson

Kevin Kline

Kevin Kline

Sam Harris

Mary Steenburgen

Mary Steenburgen

Diana Boyle

Jerry Ferrara

Jerry Ferrara

Dean

Romany Malco

Romany Malco

Lonnie

Court is in session

Put Last Vegas on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.