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A Haunted House

A Haunted House

Comedy · Horror · 2013

Malcolm and Kisha move into their dream home, but soon learn a demon also resides there. When Kisha becomes possessed, Malcolm - determined to keep his sex life on track - turns to a priest, a psychic, and a team of ghost-busters for help in this spoof of all the "found-footage/documentary style" films released in recent years.

Movie details

A Haunted House

“This $*%! ain't paranormal.”

2013 Comedy · Horror 1h 26m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Malcolm and Kisha move into their dream home, but soon learn a demon also resides there. When Kisha becomes possessed, Malcolm - determined to keep his sex life on track - turns to a priest, a psychic, and a team of ghost-busters for help in this spoof of all the "found-footage/documentary style" films released in recent years.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Haunted House?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Michael Tiddes

Written by

Rick Alvarez · Marlon Wayans

Marlon Wayans

Marlon Wayans

Malcolm

Essence Atkins

Essence Atkins

Keisha

Nick Swardson

Nick Swardson

Chip the Psychic

Cedric the Entertainer

Cedric the Entertainer

Father Williams

David Koechner

David Koechner

Dan the Security Man

Alanna Ubach

Alanna Ubach

Jenny

Dave Sheridan

Dave Sheridan

Bob

Court is in session

Put A Haunted House on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Prestige Tourist

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.