“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Raising Cain
Horror · Thriller · 1992
Child psychologist Carter Nix is a loving and caring family man, but under this appearance lies a dark and troubled past. Grappling with the consequences of this past on his own psyche and the influence of his returning father and violent brother Cain, Carter becomes involved in a series of murders and kidnappings. Meanwhile, his wife Jenny rekindles an old love affair, placing herself in the crosshairs of her increasingly unstable husband.
Raising Cain
“Demented. Deranged. Deceptive. De Palma.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.1 / 10
Community rating
Child psychologist Carter Nix is a loving and caring family man, but under this appearance lies a dark and troubled past. Grappling with the consequences of this past on his own psyche and the influence of his returning father and violent brother Cain, Carter becomes involved in a series of murders and kidnappings. Meanwhile, his wife Jenny rekindles an old love affair, placing herself in the crosshairs of her increasingly unstable husband.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Raising Cain?
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their caseThe Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Brian De Palma
Written by
Brian De Palma
Put Raising Cain on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






