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Raising Cain

Raising Cain

Horror · Thriller · 1992

Child psychologist Carter Nix is a loving and caring family man, but under this appearance lies a dark and troubled past. Grappling with the consequences of this past on his own psyche and the influence of his returning father and violent brother Cain, Carter becomes involved in a series of murders and kidnappings. Meanwhile, his wife Jenny rekindles an old love affair, placing herself in the crosshairs of her increasingly unstable husband.

Movie details

Raising Cain

“Demented. Deranged. Deceptive. De Palma.”

1992 Horror · Thriller 1h 32m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Child psychologist Carter Nix is a loving and caring family man, but under this appearance lies a dark and troubled past. Grappling with the consequences of this past on his own psyche and the influence of his returning father and violent brother Cain, Carter becomes involved in a series of murders and kidnappings. Meanwhile, his wife Jenny rekindles an old love affair, placing herself in the crosshairs of her increasingly unstable husband.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Raising Cain?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Brian De Palma

Written by

Brian De Palma

John Lithgow

John Lithgow

Carter Nix / Cain / Dr. Nix / Josh / Margo

Lolita Davidovich

Lolita Davidovich

Jenny O'Keefe Nix

Steven Bauer

Steven Bauer

Jack Dante

Frances Sternhagen

Frances Sternhagen

Dr. Lynn Waldheim

Gregg Henry

Gregg Henry

Lt. Terri

Tom Bower

Tom Bower

Sgt, Cully

Mel Harris

Mel Harris

Sarah

Court is in session

Put Raising Cain on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.