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Sword of the Stranger

Sword of the Stranger

Action · Animation · History · 2007

Pursued by formidable Chinese assassins, young Kotaro and his dog run into No Name, a mysterious stranger who gets pulled into the chase. The unlikely companions form a bond over saving the dog from a poison attack, but chaos erupts when the assassins find Kotaro, and No Name must face his past before a horrible fate is met again.

Movie details

Sword of the Stranger

2007 Action · Animation · History 1h 43m

Critical arithmetic

One number, for now.

TMDB

7.6 / 10

Community rating

Pursued by formidable Chinese assassins, young Kotaro and his dog run into No Name, a mysterious stranger who gets pulled into the chase. The unlikely companions form a bond over saving the dog from a poison attack, but chaos erupts when the assassins find Kotaro, and No Name must face his past before a horrible fate is met again.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Sword of the Stranger?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Masahiro Ando

Written by

Fumihiko Takayama

Tomoya Nagase

Tomoya Nagase

Nameless 'Nanashi' (voice)

Yuri Chinen

Yuri Chinen

Kotaro (voice)

Koichi Yamadera

Koichi Yamadera

Luo-Lang (voice)

Akio Otsuka

Akio Otsuka

Shogen Itadori (voice)

Unsho Ishizuka

Unsho Ishizuka

Lord Akaike (voice)

Mamoru Miyano

Mamoru Miyano

Jurota (voice)

Maaya Sakamoto

Maaya Sakamoto

Hagihime (voice)

Court is in session

Put Sword of the Stranger on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.