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Duel at Diablo

Duel at Diablo

Western · 1966

In Apache territory, a supply Army column heads for the next fort, an ex-scout searches for the killer of his Native wife, and a housewife abandons her husband to rejoin her Apache lover's tribe.

Movie details

Duel at Diablo

“Yesterday they fought each other – today they fight together in a dead end canyon called Diablo!”

1966 Western 1h 45m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

In Apache territory, a supply Army column heads for the next fort, an ex-scout searches for the killer of his Native wife, and a housewife abandons her husband to rejoin her Apache lover's tribe.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Duel at Diablo?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Fort Apache

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Owen Thursday sees his new posting to the desolate Fort Apache as a chance to claim the military honour which he believes is rightfully his. Arrogant, obsessed with military form and ultimately self-destructive, he attempts to destroy the Apache chief Cochise after luring him across the border from Mexico, against the advice of his subordinates.

Guns for San Sebastian

Guns for San Sebastian

Western · 1967

Leon Alastray is an outlaw who has been given sanctuary by Father John, whom he then escorts to the village of San Sebastian. The village is deserted, with its cowardly residents hiding in the hills from Indians, who regularly attack the village and steal all their supplies. When Father John is murdered, the villagers mistakenly think the outlaw is the priest. Alastray at first tells them he is not a priest, but they don't believe it, and an apparent miracle seems to prove they are correct. Eventually, he assists them in regaining their confidence and defending themselves.

Heaven's Gate

Heaven's Gate

Drama · 1980

Harvard graduate James Averill serves as the sheriff of prosperous Jackson County, Wyoming, standing at the center of a conflict between impoverished immigrants and affluent cattle farmers. Politically connected ranchers enlist mercenary Nathan Champion—who is also vying for the affections of local madam Ella Watson—to combat the immigrant uprising. As tensions escalate, both Averill and Champion start to question their decisions.

Frontera

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After crossing the border illegally for work, Miguel, a hard-working father and devoted husband, finds himself wrongfully accused of murdering a former sheriff’s wife. After learning of his imprisonment, Miguel’s pregnant wife tries to come to his aid and lands in the hands of corrupt coyotes who hold her for ransom. Dissatisfied with the police department’s investigation, the former sheriff tries to uncover the truth about his wife’s death and discovers disturbing evidence that will destroy one family’s future, or tear another’s apart.

The Man from Laramie

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Will Lockhart arrives in Coronado, an isolated town in New Mexico, in search of someone who sells rifles to the Apache tribe, finding himself unwillingly drawn into the convoluted life of a local ranching family whose members seem to have a lot to hide.

Major Dundee

Major Dundee

Western · 1965

During the last winter of the Civil War, cavalry officer Amos Dundee leads a contentious troop of Army regulars, Confederate prisoners and scouts on an expedition into Mexico to destroy a band of Apaches who have been raiding U.S. bases in Texas.

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Names above the title

The people responsible.

Directed by

Ralph Nelson

Written by

Michael M. Grilikhes · Marvin H. Albert

James Garner

James Garner

Jess Remsberg

Sidney Poitier

Sidney Poitier

Toller

Bill Travers

Bill Travers

Scotty McAllister

Bibi Andersson

Bibi Andersson

Ellen Grange

Dennis Weaver

Dennis Weaver

Willard Grange

William Redfield

William Redfield

Sgt. Ferguson

John Hoyt

John Hoyt

Chata

Court is in session

Put Duel at Diablo on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Patience is part of the point.”

Duration becomes texture. The film asks you to inhabit its world instead of merely processing its plot.

The prosecution The Adrenaline Seeker

“A test of endurance, your honour.”

Stillness keeps submitting itself as meaning. At some point, contemplation needs something worth contemplating.