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Mio in the Land of Faraway

Mio in the Land of Faraway

Adventure · Drama · Fantasy · 1987

Under the watch of his unkind realtives, lonely Bosse's luck is changed when he is sent to the land where his real father is the King. In that country, he sets out on a quest, together with his new friend, to destroy the evil Knight Kato.

Movie details

Mio in the Land of Faraway

“They're two best friends, a million miles from home. On an incredible adventure, beyond the boundaries of space and time. In a place called...”

1987 Adventure · Drama · Fantasy 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Under the watch of his unkind realtives, lonely Bosse's luck is changed when he is sent to the land where his real father is the King. In that country, he sets out on a quest, together with his new friend, to destroy the evil Knight Kato.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mio in the Land of Faraway?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Vladimir Grammatikov

Written by

William Aldridge

Nick Pickard

Nick Pickard

Mio / Bosse

Christian Bale

Christian Bale

Jum-Jum / Benke

Timothy Bottoms

Timothy Bottoms

The King

Christopher Lee

Christopher Lee

Kato

Susannah York

Susannah York

The Weaver Woman

Sverre Anker Ousdal

Sverre Anker Ousdal

The Swordmaker

Gunilla Nyroos

Gunilla Nyroos

Aunt Edna

Court is in session

Put Mio in the Land of Faraway on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.