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Streets of Fire

Streets of Fire

Action · 1984

Raven Shaddock and his gang of merciless biker friends kidnap rock singer Ellen Aim. Ellen's former lover, soldier-for-hire Tom Cody, happens to be passing through town on a visit. In an attempt to save his star act, Ellen's manager hires Tom to rescue her. Along with a former soldier, they battle through dangerous cityscapes, determined to get Ellen back.

Movie details

Streets of Fire

“Tonight is what it means to be young.”

1984 Action 1h 33m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Raven Shaddock and his gang of merciless biker friends kidnap rock singer Ellen Aim. Ellen's former lover, soldier-for-hire Tom Cody, happens to be passing through town on a visit. In an attempt to save his star act, Ellen's manager hires Tom to rescue her. Along with a former soldier, they battle through dangerous cityscapes, determined to get Ellen back.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Streets of Fire?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Walter Hill

Written by

Walter Hill · Larry Gross

Michael Paré

Michael Paré

Tom Cody

Diane Lane

Diane Lane

Ellen Aim

Rick Moranis

Rick Moranis

Billy Fish

Amy Madigan

Amy Madigan

McCoy

Willem Dafoe

Willem Dafoe

Raven Shaddock

Bill Paxton

Bill Paxton

Clyde the Bartender

Deborah Van Valkenburgh

Deborah Van Valkenburgh

Reva Cody

Court is in session

Put Streets of Fire on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.