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A Good Woman

A Good Woman

Comedy · Romance · 2004

Fleeing 1930s New York and leaving behind a chequered past, the giltzy divorcee Mrs Stella Erlynne travels to Italy's sun-dappled Amalfi coast. Mrs Erlynne's appearance causes a stir amongst the visiting aristocracy. Based on the Oscar Wilde play "Lady Windemere's Fan."

Movie details

A Good Woman

“Seduction. Sex. Scandal.”

2004 Comedy · Romance 1h 33m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Fleeing 1930s New York and leaving behind a chequered past, the giltzy divorcee Mrs Stella Erlynne travels to Italy's sun-dappled Amalfi coast. Mrs Erlynne's appearance causes a stir amongst the visiting aristocracy. Based on the Oscar Wilde play "Lady Windemere's Fan."

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Good Woman?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mike Barker

Written by

Howard Himelstein

Helen Hunt

Helen Hunt

Mrs. Stella Erlynne

Scarlett Johansson

Scarlett Johansson

Meg Windermere

Tom Wilkinson

Tom Wilkinson

Tuppy

Stephen Campbell Moore

Stephen Campbell Moore

Lord Darlington

Mark Umbers

Mark Umbers

Robert Windemere

Milena Vukotić

Milena Vukotić

Contessa Lucchino

Diana Hardcastle

Diana Hardcastle

Lady Plymdale

Court is in session

Put A Good Woman on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.