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Newsies

Newsies

Drama · History · 1992

A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.

Movie details

Newsies

“A Thousand Voices. A Single Dream.”

1992 Drama · History 2h 1m

Critical arithmetic

The consensus, allegedly.

IMDb

6.9 / 10

23.6K votes

Rotten Tomatoes

39 %

Tomatometer

Metacritic

46 / 100

Metascore

TMDB

6.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Newsies?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Outsiders

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Where it lives

Watch in your region.

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Kenny Ortega

Written by

Bob Tzudiker · Noni White

Christian Bale

Christian Bale

Jack 'Cowboy' Kelly

Bill Pullman

Bill Pullman

Bryan Denton

Ann-Margret

Ann-Margret

Medda Larkson

Robert Duvall

Robert Duvall

Joseph Pulitzer

David Moscow

David Moscow

David Jacobs

Luke Edwards

Luke Edwards

Les Jacobs

Max Casella

Max Casella

Racetrack Higgins

Court is in session

Put Newsies on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.