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Conversations with Other Women

Conversations with Other Women

Drama · Romance · 2006

Reunited at a wedding after many years, former lovers again feel the pull of a mutual attraction neither is willing to admit. Escaping the reception for the privacy of a hotel room, the unnamed pair explore the choices of the past that led them to the present.

Movie details

Conversations with Other Women

“There are two sides to every love story.”

2006 Drama · Romance 1h 24m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Reunited at a wedding after many years, former lovers again feel the pull of a mutual attraction neither is willing to admit. Escaping the reception for the privacy of a hotel room, the unnamed pair explore the choices of the past that led them to the present.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Conversations with Other Women?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Hans Canosa

Written by

Gabrielle Zevin

Helena Bonham Carter

Helena Bonham Carter

Woman

Aaron Eckhart

Aaron Eckhart

Man

Yury Tsykun

Yury Tsykun

Bartender at Wedding

Brian Geraghty

Brian Geraghty

Groom

Brianna Brown

Brianna Brown

Bride

Nora Zehetner

Nora Zehetner

Young Woman

Olivia Wilde

Olivia Wilde

Bridesmaid

Court is in session

Put Conversations with Other Women on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.