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Sophie's Choice

Sophie's Choice

Drama · Romance · 1982

Stingo, a young writer, moves to Brooklyn in 1947 to begin work on his first novel. As he becomes friendly with Sophie and her lover Nathan, he learns that she is a Holocaust survivor. Flashbacks reveal her harrowing story, from pre-war prosperity to Auschwitz. In the present, Sophie and Nathan's relationship increasingly unravels as Stingo grows closer to Sophie and Nathan's fragile mental state becomes ever more apparent.

Movie details

Sophie's Choice

“Between the innocent, the romantic, the sensual, and the unthinkable. There are still some things we have yet to imagine.”

1982 Drama · Romance 2h 31m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

Stingo, a young writer, moves to Brooklyn in 1947 to begin work on his first novel. As he becomes friendly with Sophie and her lover Nathan, he learns that she is a Holocaust survivor. Flashbacks reveal her harrowing story, from pre-war prosperity to Auschwitz. In the present, Sophie and Nathan's relationship increasingly unravels as Stingo grows closer to Sophie and Nathan's fragile mental state becomes ever more apparent.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Sophie's Choice?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Alan J. Pakula

Written by

Alan J. Pakula

Meryl Streep

Meryl Streep

Zofia "Sophie" Zawistowski

Kevin Kline

Kevin Kline

Nathan Landau

Peter MacNicol

Peter MacNicol

Stingo

R

Rita Karin

Yetta

S

Stephen D. Newman

Larry

G

Greta Turken

Leslie Lapidus

Josh Mostel

Josh Mostel

Morris Fink

Court is in session

Put Sophie's Choice on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.