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The Bellboy

The Bellboy

Comedy · 1960

Stanley is a bellboy at the Fountainbleau Hotel in Miami Beach, where he performs his duties quietly and without a word to anyone. All he displays are facial expressions and a comedic slapstick style. And anything that can go wrong, does go wrong when Stanley is involved. One day, Jerry Lewis arrives at the hotel and some of the staff notice the striking resemblance.

Movie details

The Bellboy

“It's a Series of Silly Sequences and One of Jerry's All-Time Great Comedy Performances!”

1960 Comedy 1h 12m

Critical arithmetic

The consensus, allegedly.

IMDb

6.5 / 10

5.1K votes

Rotten Tomatoes

80 %

Tomatometer

Metacritic

70 / 100

Metascore

TMDB

6.2 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Stanley is a bellboy at the Fountainbleau Hotel in Miami Beach, where he performs his duties quietly and without a word to anyone. All he displays are facial expressions and a comedic slapstick style. And anything that can go wrong, does go wrong when Stanley is involved. One day, Jerry Lewis arrives at the hotel and some of the staff notice the striking resemblance.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Bellboy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Oscar

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Where it lives

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Names above the title

The people responsible.

Directed by

Jerry Lewis

Written by

Jerry Lewis

Jerry Lewis

Jerry Lewis

Stanley / Jerry Lewis

Alex Gerry

Alex Gerry

Mr. Novak

Bob Clayton

Bob Clayton

Bob

Sonnie Sands

Sonnie Sands

Sonnie

E

Eddie Shaeffer

Eddie

Herkie Styles

Herkie Styles

Herkie

D

David Landfield

David

Court is in session

Put The Bellboy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.