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Bring It On

Bring It On

Comedy · 2000

The Toro cheerleading squad from Rancho Carne High School in San Diego has got spirit, spunk, sass and a killer routine that's sure to land them the national championship trophy for the sixth year in a row. But for newly-elected team captain Torrance, the Toros' road to total cheer glory takes a shady turn when she discovers that their perfectly-choreographed routines were in fact stolen.

Movie details

Bring It On

“May the best moves win.”

2000 Comedy 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

The Toro cheerleading squad from Rancho Carne High School in San Diego has got spirit, spunk, sass and a killer routine that's sure to land them the national championship trophy for the sixth year in a row. But for newly-elected team captain Torrance, the Toros' road to total cheer glory takes a shady turn when she discovers that their perfectly-choreographed routines were in fact stolen.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bring It On?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Peyton Reed

Written by

Jessica Bendinger

Kirsten Dunst

Kirsten Dunst

Torrance Shipman

Eliza Dushku

Eliza Dushku

Missy Pantone

Jesse Bradford

Jesse Bradford

Cliff Pantone

Gabrielle Union

Gabrielle Union

Isis

Sherry Hursey

Sherry Hursey

Christine Shipman

Holmes Osborne

Holmes Osborne

Bruce Shipman

Clare Kramer

Clare Kramer

Courtney

Court is in session

Put Bring It On on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.