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Funny Girl

Funny Girl

Comedy · Drama · Romance · 1968

The life of famed 1930s comedienne Fanny Brice, from her early days in the Jewish slums of New York, to the height of her career with the Ziegfeld Follies, as well as her marriage to the rakish gambler Nick Arnstein.

Movie details

Funny Girl

“People who see FUNNY GIRL are the luckiest people in the world!”

1968 Comedy · Drama · Romance 2h 35m

Critical arithmetic

The consensus, allegedly.

IMDb

7.4 / 10

27.2K votes

Rotten Tomatoes

95 %

Tomatometer

Metacritic

88 / 100

Metascore

TMDB

7.2 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

The life of famed 1930s comedienne Fanny Brice, from her early days in the Jewish slums of New York, to the height of her career with the Ziegfeld Follies, as well as her marriage to the rakish gambler Nick Arnstein.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Funny Girl?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Coyote Ugly

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

William Wyler

Written by

Isobel Lennart

Barbra Streisand

Barbra Streisand

Fanny Brice

Omar Sharif

Omar Sharif

Nick Arnstein

Kay Medford

Kay Medford

Rose Brice

Anne Francis

Anne Francis

Georgia James

Walter Pidgeon

Walter Pidgeon

Florenz Ziegfeld

L

Lee Allen

Eddie Ryan

Mae Questel

Mae Questel

Mrs. Strakosh

Court is in session

Put Funny Girl on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.